Broadcast & Cinema Studies: Books

With more than 100 new entries, from Amy Adams, Benedict Cumberbatch, and Cary Joji Fukunaga to Joaquin Phoenix, Mia Wasikowska, and Robin Wright, and completely updated,nbsp; here from David Thomson--"The greatest living writer on the movies" (John Banville, New Statesman); "Our most argumentative and trustworthy historian of the screen" (Michael Ondaatje)--is the latest edition of The New Biographical Dictionary of Film, which topped Sight & Sound's poll of international critics and writers as THE BEST FILM BOOK EVER WRITTEN. 3/7

Although some entries cover individual films, genres, character types, production companies, and the like, the vast majority of entries presented by Stokes (humanities and film, Seminole Community College) in this historical dictionary of the prolific world of Hong Kong cinema consist of biographical information on important actors, directors, and

From films ranging from An American in Paris and Flying Down to Rio to such Broadway landmarks as Oklahoma and West Side Story and television hits such as Cinderella and High School Musical, the American musical has thrilled audiences around the world. Now, in The Oxford Companion to theAmerican Musical, readers have at last an engaging and authoritative reference to this highly popular genre--the only such book to cover stage, film, and television musicals in one volume. With more than two thousand entries, this book offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. There are biographical entries on stars ranging from Fred Astaire and Bing Crosby to Mary Martin and Mae West as well as suchcontemporary show-stoppers as Nathan Lane, Savion Glover, and Kristin Chenowith; on composers ranging from Irving Berlin and George Gershwin to Richard Rodgers and Andrew Lloyd Webber; and on choreographers such as Bob Fosse, Tommy Tune, and Debbie Allen. The plays and films covered range frommodern hits such as Mamma Mia! and Moulin Rouge to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, many musicals written specifically for television are included, and many entries follow a work (such as Babes in Toyland) as it moves across genres, from stage, to film, totelevision. The Companion also includes cross references, a comprehensive listing of recommended recordings, and a useful chronological listing of all the musicals described in the book. Whether you are curious about Singin in the Rain or Spamalot, The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical. "Enjoy as I did this wonderful book as you discover the place of the musical in history and its gift for the future." --Jonathan Pryce, Tony award-winning actor "How wonderful it is to have the entire history of the American musical theater, both on stage and on film, now available in one handy volume. Amazingly comprehensive and thoroughly researched, The Oxford Companion to the American Musical is a must for any theater professional or any theater fan." --Stephen Flaherty, Tony and Drama Desk award-winning composer "Everything you ever wanted to know about the American musical--at your fingertips. What could be better, or more useful?" --Marvin Hamlisch "Kudos to Thomas Hischak for The Oxford Companion to the American Musical. Resources such as these are extremely important, not only as historic and academic records, but for future generations of artists who need to understand the legacy they have inherited." --Carol Channing

The term Old Time Radio refers to the relatively brief period from 1926, when the National Broadcasting Company first began network broadcasting, until approximately 1960, when television became the dominant communication medium in the United States. During this time, radio was as popular and ubiquitous as television is today. It was amazingly varied in the types of programming it offered; many characters and programs were so popular that virtually everyone was familiar with them. Even today, recorded versions of these programs are still extremely popular and widely available, both from commercial outlets and from hobbyists. Behind the production of these programs was a complex technological and financial infrastructure that had to be developed virtually from scratch in a world unaccustomed to the rapid communication and technological marvels that we take for granted today. The Historical Dictionary of Old Time Radio provides essential facts and information on the Golden Age of Radio. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the radio networks, programs, directors, producers, writers, actors, radio series, and radio stations. Entries on your favorite shows--The Lone Ranger, The Shadow, Dragnet, and Suspense--and actors--Bob Hope, George Burns, Gracie Allen, and Edgar Bergen--will have you jumping from one entry to the next as you relive old favorites and discover hidden treasures from the Golden Age of Radio.

The Critical Dictionary of Film and Television Theoryclearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA

The Audio Dictionary is a comprehensive resource, including historical, obsolete, and obscure as well as contemporary terms relating to diverse aspects of audio such as film and TV sound, recording, Hi-Fi, and acoustics. The Third Edition includes four hundred new entries, such as AAC (advanced audio coding), lip synch, metadata, MP3, and satellite radio. Every term from previous editions has been reconsidered and often rewritten. Guest entries are by Dennis Bohn, cofounder and head of research and development at Rane Corporation, and film sound expert Larry Blake, whose credits include Erin Brockovich and Ocean's Eleven. The appendixes--tutorials that gather a lifetime's worth of experience in acoustics--include both new and greatly expanded articles.

From Internet censorship to sex and violence on television and in video games to debates over rock lyrics, the media and their affect on children and adolescents is one of the most widely debated issues in our society. The Encyclopedia of Children, Adolescents, and the Media presents state-of-the-art research and ready-to-use facts on the media′s interaction with children and adolescents. With over 400 entries, the two volumes of this resource cover the traditional and electronic media and their controversial impact - for good and ill - on children and adolescents. Key features include: - provides cross-disciplinary coverage from the fields of psychology, education, media studies and communication, sociology and public policy; - offers a cross-cultural perspective with internationally contributing authors; - includes entries covering television, film, video games, the Internet, magazines and music; - explores complex and difficult topics such as violence, sex, rating systems and warning labels, attention-deficit disorder, body image and eating disorders, popular music lyrics, advertising, digital music downloading, parental involvement, policymaking and child development.

This reference provides a comprehensive and accessible introduction to film and film studies, covering such aspects as production, national traditions, studios, genres, critical theory and film history. Approximately 200 entries cover specific topics, including acting, censorship, editing, lighting and others. Also included are more than 230 career profiles, placing individual achievements in the context of specific topics (for example, Robert Altman is featured in the article on "Sound"). Additional features include a comprehensive index; a list of further reading sources; 350 black-and-white and 150 full color photographs; and more.

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclopedia of Television, 2nd editionwebsite.

This comprehensive reference to TV cartoon shows covers some 75 years. In the decade or so since the first edition, the industry has grown and expanded to previously unimagined heights, thanks in great part to the upsurge of cable TV services catering to animation fans. In the ten-year period since the first edition, nearly 450 new cartoon series premiered in the U.S.Alphabetically arranged by title, the book discusses each cartoon show in detail, providing full production credits and offering commentary on such elements as development, characters, style, and the show's significance in the overall scheme of television animation.

Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radioincludes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

The Encyclopedia of the Documentary Filmis a fully international reference work on the history of the documentary film from the Lumière brothers' WorkersLeaving the Lumière Factory(1885) to Michael Moore's Fahrenheit 911(2004). This Encyclopediaprovides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopediaexamine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.

Although censorship may seem like a thing of the past, current controversies over books, movies, and websites prove it to be a very timely and critical issue. Fully updated and Revised with more than 50 percent new material, Encyclopedia of Censorship, New Edition presents a full range of information about the history and evolution of censorship and its role in society today. Covering all forms of expression from the past to the present, from the office of the censor in ancient Rome to the Internet in the computer age, this completely current reference examines every facet of this complex subject. With an easy-to-use A-to-Z format perfect for high school and college students as well as anyone with an interest in censorship and its politics, Encyclopedia of Censorship, New Edition brings this important topic up to date through the new millennium.

Completely revised and updated, The Encyclopedia of Novels into Film, Second Edition provides a comprehensive, in-depth look at more than 300 American and foreign novels and their film adaptations. Edited and written by two renowned film scholars, with contributions from more than 70 top experts in the field, this engaging reference explores both the popular and lesser-known films that have come to define this genre. Covering both American and foreign films, each of the more than 300 illuminating entries provides an overview of the literary source and a critical assessment of its various film adaptations. This edition includes more than 30 all-new entries and numerous updates to cover new adaptations, as well as many new photographs. Providing an in-depth look at how books are selected for the silver screen, The Encyclopedia of Novels into Film, Second Edition is a fascinating study for anyone interested in film and literature.

Contains the people, processes, innovations, facilities, formats and films that have made sound a part of the motion pictures. There are entries for films that has won an Academy Award for Best Sound or Sound Effects Editing, sound mixers or editors who won an Academy Award and sound processes.

From the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. As the inaugural volume of an ambitious new series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A-Z collection of reviews, longer essays, and research resources, accompanied by fifty full-color film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers, and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume. 

With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emergedto capture the attention of a rapidly growing audience of young viewers. A thorough overview of a thriving area of cultural life, Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that not only find wide audiences but enjoy considerable box office appeal--without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres--including African American cinema, queer cinema, documentary, familial dysfunction, and exploitation--are individually considered, with an emphasis on their ability to engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide. At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars, and movie buffs alike.

This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century.  Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.

Via 100 entries or "mini-chapters," the SAGE 21st Century Reference Series volumes on Communication will highlight the most important topics, issues, questions, and debates any student obtaining a degree in the field of communication ought to have mastered for effectiveness in the 21st Century. The purpose is to provide undergraduate majors with an authoritative reference source that will serve their research needs with more detailed information than encyclopedia entries but not as much jargon, detail or density as a journal article or a research handbook chapter.

The International Encyclopedia of Communication represents the definitive reference work in this interdisciplinary and dynamic field. This authoritative twelve-volume set is jointly published by Wiley-Blackwell and the International Communication Association (ICA), the leading academic association of the discipline in the world. A ground-breaking collection of nearly 1,350 original entries within a 12 volume set, spanning the scholarship, evidence, and methodology of communication research Jointly published by Wiley Blackwell and the prestigious International Communication Association (ICA) Newly-commissioned entries divided into 29 editorial areas representing major fields of inquiry within communication, each of which is headed by a leading expert in their respective field Editorial areas include: communication theory and philosophy, interpersonal communication, journalism, intercultural and intergroup communication, media effects, strategic communication/PR, communication and media law and policy, media systems in the world, and communication and technology Spans the breadth of communication studies, including coverage of theories, media and communication phenomena, research methods, problems, concepts, and geographical areas within this dynamic and interdisciplinary field Written and edited by an international team of the world's best scholars and teachers, with new entries added and revisions made each year until 2015 Reader-friendly A-Z entries ranging from extended explorations of major topics to short descriptions of key concepts, with sophisticated cross-referencing and search facilities, lexicon by subject area, and a comprehensive index 12 Volumes www.communicationencyclopedia.com

The Encyclopedia of Communication Theory provides students and researchers with a comprehensive two-volume overview of contemporary communication theory. Reference librarians report that students frequently approach them seeking a source that will provide them with a quick overview of a particular theory or theorist - just enough to help them grasp the general concept or theory and its relation to the discipline as a whole. Communication scholars and teachers also occasionally need a quick reference for theories. Edited by the co-authors of the best-selling textbook on communication theory and drawing on the expertise of an advisory board of 10 international scholars and nearly 200 contributors from 10 countries, this work finally provides such a resource. More than 300 entries address topics related not only to paradigms, traditions, and schools, but also metatheory, methodology, inquiry, and applications and contexts. Entries cover several orientations, including psycho-cognitive; social-interactional; cybernetic and systems; cultural; critical; feminist; philosophical; rhetorical; semiotic, linguistic, and discursive; and non-Western. Concepts relate to interpersonal communication, groups and organizations, and media and mass communication. In sum, this encyclopedia offers the student of communication a sense of the history, development, and current status of the discipline, with an emphasis on the theories that comprise it.

From Amazon.com to virtual communities, the Encyclopedia of New Media presents more than 250 entries that place new communication technology, multimedia, entertainment and e-commerce within their social context. Each subject is examined in depth in a single, coherent article and the Encyclopedia is the first comprehensive, A-Z reference on the ongoing revolution in communications. The Encyclopedia is edited by Steve Jones, one of the most renowned scholars of new media studies, and editor of two SAGE texts in this area Cybersociety 2.0 (1998) and Doing Internet Research (1999). The 275 entries are balanced between information technology and the social landscape, include entries on both themes and theorists, and the volume includes 25 photographs. Unlike many encyclopedias that provide short, fragmented entries, the Encyclopedia of New Media examines each subject in depth in a single, coherent article. Many articles span several pages and are presented in a large, double-column format for easy reading. The Encyclopedia of New Media includes a comprehensive index as well as a reader′s guide that facilitates browsing and easy access to information. Each entry includes a bibliography and suggestions for further reading, together with links to related topics in the Encyclopedia, making this an indispensable resource for students and academics in media and cultural studies and a must for both public and university libraries.

Accessible to wide range of readers from student to lay people, this authoritative reference provides a complete listing of media concepts, figures, and techniques with illustrations and historical commentaries. Written by distinguished scholar and author Marcel Danesi, and with an Introduction by Arthur Asa Berger, a leading figure in the world of media and communications, the dictionary also includes terms related to psychology, linguistics, aesthetics, computer science, semiotics, culture theory, anthropology, and more that have relevance in media studies. Each entry includes a definition in simple, clear language; an illustration where applicable; and, historical commentary (who coined a term for example, why, who uses it, etc.). A bibliography, a directory of online resources, and a time-line of media genres add to the dictionary's usefulness and appeal.

The Watson and Hill dictionary has long been a classic of its kind and a 'must' for university and college booklists. This seventh edition includes new entries and substantial updates and continues to be a vital resource for students and teachers. The Dictionary of Media and Communication Studies focuses on the exciting world of new media and its social representation. It provides students with a gateway into the study of intercultural communication, public relations and marketing communications. This volume seeks to make its twenty-first century readers more media literate, and how to be critical consumers of modern news.

The difficulty for students and new entrants to the industry is that the day-to-day working language, the customised roles and the specific deployment of skills and specialist activities can seem at first daunting and inpenetrable. 'The Practical Media Dictionary' is an essential guide to understanding how the media works and how people in the media talk to each other about their industry.

The popularity and pervasiveness of film and television in 21st-century life is inescapable. Whether viewed as entertainment, educational, or cultural forms, the effect of these media on our lifestyles and attitudes is unmistakable. No wonder an increasing number of academics, students, and laypeople are drawn to study their particular appeal. Mark Emmons's magnum opus is a true labor of love. International in scope, it offers 1,244 substantially annotated entries, organized by topic. Its focus is movies and television shows: how they are produced; the people who make and appear in them; their content, their distribution and exhibition; and their reception by audiences, reviewers, critics, and scholars. Beginning with general guides, dictionaries and encyclopedias, the book then turns to filmographies, filmmakers, and filmmaking respectively. Filmographies lists films and television shows in the categories of national cinema and genre, made by studios or filmmakers, or featuring various groups of people. Filmmakers includes biographies and credits for filmmakers and actors. Filmmaking includes reference sources on making film and television shows. An indispensable guide for librarians, faculty, students, neophyte filmmakers, and fans everywhere.

After fifty years of market prominence and incredible demand from loyal users, Head's Broadcasting in America'stenth edition returns as the celebrated market leader in its field with its renowned treatment of electronic media as a social force and with a distinguished new author team from Sydney Head's legacy school, the University of Miami. Head's Broadcasting in Americadistinguishes itself by presenting electronic media both as products of contemporary social forces and as social forces in their own right. This text will introduce you to the exciting changes taking place in electronic media. It will help you examine the emerging information infrastructure and the accelerating convergence of various electronic media forms. It will also help you explore the role electronic media plays in many academic areas, ranging from economics to law, from history to social science. You will find this industry more accessible as you experience broadcasting dually through the people and the products that have shaped the history of this medium and through your own experiences with broadcasting in your daily life.